What I did was, I made this week’s book “A Taste of Blood and Roses” the sticky post so I can continue to blog. As of next week, I’ll make another title sticky, and move on…possibly with a free book day or two on Amazon.com. For now – on to something very cool.
Today, something happened that I thought was NEVER going to happen. I was fixing up my Goodreads Page, adding in missing cover art. One of the books listed without a cover was the very extremely limited Cargo Cult Press title – The Sound of Drums. This book was never really published. There were only 9 copies (plus a couple of PC copies, one of which is the only one I own or have ever seen). Six of the actual published copies were numbered, and these went to lifetime numbered edition subscribers to Cargo Cult Press. The other three were initialed to the three lifetime lettered edition subscribers. I have a complete collection of Cargo Cult numbered editions (PC copies) – payment for writing The Sound of Drums, but I’ve always regretted that I never got one of the lettered editions of my book. They were so expensive to create that I was told the publisher, Brian Cartwright, didn’t even get one for himself.
Anyway, long story short, I found a copy today for sale on line, and the rice was VERY reasonable. I bought it. It’s on it’s way to me, and it will be treasured forever. I can’t wait to lay it side by side with the numbered edition and see what’s different.
For those of you interested – this story is the final story in A Taste of Blood and Roses, this week’s entry in the YEAR OF ME promotion I’m running, trying to kickstart my sales and evolve my career to a higher level. This is a cool story. The 9 original owners of this book appear as characters in the story itself, which is also one that I love. It has (of course) a cargo cult in it. It has the US Navy (which I have some experience with). It has supernatural elements, a deserted island…what more could you want?
This is the first post in the series I announced yesterday. I intend to go through my entire Amazon.com catalog of titles, probably in alphabetic order, though possibly not. Since my first published novel, This is My Blood, was based on the story “A Candle in the Sun,” which is included in this collection, and since these stories very literally span the decades of my career – up through about 2010 or 2011 – it seemed like a good place to start. Below is the author’s introduction to the work. Also included at the end of the revised Kindle Edition is an excerpt from the vampire novel DARKNESS FALLING which will be discussed later in the year. Each of these titles will be updated, formatted to the newer Crossroad Press template and edited (as I can) on Goodreads as well. For those that have print editions there will be giveaways. The first five people to comment on this post will receive complimentary eBook copies of the book from Amazon (Make sure you register the comment with the e-mail address you use at Amazon).
Author’s Introduction to A Taste of Blood & Roses
I’ve been writing since the mid 1980s, and during all those years, vampires have remained close to my heart. There were periods when it seemed as if you couldn’t have an anthology unless the theme was erotic vampire stories. There were other times when all you heard was, “no vampires.” I can say that I survived both – even selling vampire stories to two editors who said they didn’t think they’d ever buy another one. Both of those are contained in this collection.
I’m not going to bore you with a dissertation on vampires as characters, or why I think the undead remain undead in fiction as well. I will give you a short introduction to each story, and then leave you to the words. As Mary says in the first story … I have walked this road, and my words should suffice.
A Candle in the Sun (originally titled The Fifth Gospel) was written on a US Navy ship. Someone – I don’t remember who – said, “What if Jesus was a vampire.” I said that wouldn’t work, but what if someone near him was? The rest, pretty much, is history. I turned it in to my writer’s group and Richard Rowand, then editor of STARSHORE magazine, asked to buy the story immediately. My first pro sale that wasn’t porn to a men’s magazine. This story has been reprinted several times. One of those times was by Karl Edward Wagner in Year’s Best Horror XIX – he was the first of the editors who said they thought they were done with vampires. He was also – over the years – a good friend. He is missed.
Flash Fiction is a brand new, unpublished story as of the publication of this collection. It was inspired by something that vampire author Karen E. Taylor wrote in her online journal. It’s a humorous story – humor is something I like even more than vampires. You’ll have to let me know how they mix.
Bloodstained Glass was written for a now defunct magazine. I honestly don’t even remember the name of it. It’s a little old fashioned. I like the imagery of it, so I’ve included it here as a change of pace. In this story, I pay homage to the beautiful cover painting that Lissane Lake did for my first novel, This is My Blood. Those familiar with the art for that cover will probably spot it.
Miracles in the Night is a hold-over from my days writing for White Wolf Publishing. It wasn’t written for the company, but for a fanzine called “Norfolk by Night” that was published locally. I wrote it as a favor, and yet, it stuck with me. The robed homeless man actually lived in Norfolk at the time.
Smiling Eyes and Haunted Face is one of the aforementioned erotic vampire stories. It first appeared in the anthology “Love Bites,” edited by Nancy Kilpatrick. I wrote this one a long time ago – I hope it holds up.
To Dream of Scheherazade is the second of the stories sold to an editor who said no vampires. It was first published in the Terminal Frights Anthology by editor / publisher Ken Abner. Ken also bought the novel that I adapted from A Candle in the Sun – “This is My Blood,” which had already had a checkered past. You can find that novel for your eReader through Crossroad Press.
The Subtle Ties That Bind was published in “Love in Vein II,” edited by Poppy Z. Brite. I actually submitted it to the first volume, and it was accepted, but there wasn’t space. When the second book was announced, I sent it back in and reminded her she liked it, and it’s been one of my best-earning stories ever. I still get royalty payments. The version here in this collection is the original – shorter than the version that was published. I found the file and thought it was a good way to make this collection complete. If you are squeamish, this story might not be for you. It’s pretty explicit.
A Taste of Blood and Roses – which inspired the title of the collection – is not a vampire story. I am not going to tell you what kind of story it is, or where it was originally published, because one of the problems I had with that original publication was that the title of the book and the theme of the book spoiled about half of the stories. I hope you’ll enjoy it.
The Death-Sweet Scent of Lilies was published in a book of stories involving Vlad Tepes. This is my homage to Dracula – my thoughts on just how that historic figure might have turned into a man who dined in the center of hundreds of human beings staked out in the sun, and how he might have become the lord of darkness we all know him as.
Against His Bitter Judgment was written as much for myself as anyone else. It’s a sequel to A Candle in the Sun, and the novel This is My Blood, a look in on Judas Iscariot after centuries of…well, you’ll know when you read the first story. It was published on line at the old Chiaroscuro web site. I think it adds something to the story. Maybe someday I’ll add more.
The final story in this book, The Sound of Drums, is also not a vampire story. There are ghouls – or – sort of ghouls. There’s a cargo cult. There’s US Navy stuff from my days serving my country. This story was written for my buddy Brian Cartwright when he first started Cargo Cult Press…it was printed as a book and given only to the people who bought lifetime subscriptions. It’s a very, very rare book worth a lot of money…but the words still need to get read, and so I present it here. Some of you will recognize names in the story … Brian and I both appreciate you guys…Cargo Cult Press put out some of the most gorgeous books ever. I own a complete set from the Cartwright years…and as payment, will receive one of every book ever published under that line. Best deal I ever made.
And now…let there be vampires.
–David Niall Wilson
I have proclaimed this the year of me. I have spent nearly four years building a publishing company, long hours scanning, formatting, copy-editing, marketing, networking, convincing new people to join us, helping people – and now, looking back – I can see where my own career has been on a slow but steady downhill slide. I’ve had some successes, but no time to take advantage of them, and I’m still writing and publishing regularly, but without traction.
This year also marks our discovery of a number of new and very viable promotional vehicles, and, while I will be pushing ALL of my authors through these and doing everything in my power to make each and every one of them a success, I will also be doing a major push on my own work.
All writers go through periods of self-doubt…it’s hard to get credible feedback, it’s even harder to believe positive feedback in the face of a lack of sales success. I’ve had some short bouts with this, but, overall, the awards, the reviews, the connections with fans, authors, and even the narrators who have brought my work to audio, have convinced me that I have more than enough talent to succeed as a writer. What I need, is that break. I’m going to make it happen…this year.
Part of that process will involve a series of posts here on my blog. One book at a time, I’m going to go through my entire library. There will be giveaways. There will be some free days for a few books. There will be copies of some reviews, probably some guest posts…but this year – my blog will be about 3/4 about my writing career…maybe more than that.
I have worked up to over 6,000 “followers” on Twitter. I have nearly 5,000 “fans” on my author’s page on Facebook, and more than 2,000 more on my personal page. Of all those people, I’m willing to bet that less than 1/4 of them have ever read anything that I’ve written except in posts like this, or on one or another social media sites. I know this is normal – it’s the way it all works. No one can read everything, and a lot of those friends and followers are busy pushing their careers, beating the brush for promotions, hustling and whistling from the shadows, opening up long trench coats full of books for the world to peruse … whatever it takes.
Still, I want to catch your attention. All of you – you know who you are, even if you aren’t reading this. You vaguely know me by name, or might even know I’m a writer. Some know I wrote Star Trek, or Stargate, or for the White Wolf Gaming company back in the day. Others know Donovan DeChance, or Cletus…still others have read my short fiction in a lot of anthologies where they liked the story (or didn’t) but forgot the names of all authors not King, Koontz, Barker, etc. shortly after reading and moved on to the next one.
Along the way my peers gave me the Bram Stoker Award twice, once for poetry, and once for my short story “The Gentle Brush of Wings.” I have been nominated for other categories, and never won. That’s not important. What’s important is that i string up the holiday lighting, get my name in neon, and find those boat-loads of readers following the literary powerhouses and steer them my way. I’ve written, very nearly, every kind of book you can imagine, from young adult, to children’s picture books, to cookbooks, science fiction, fanatasy, horror, mystery, thrillers – I write all the time, you see.
Next up, maybe as soon as tomorrow, will be the novel KILLER GREEN – based on the screenplay created on Twitter with a bunch of friends, and written right here on my blog – shared with the world – semi-famous, optioned, never produced – you know the one. KILLER GREEN. The novelization of that screenplay will hit the streets and I will let it lead the way as I push into this year of me. By the time I’m done, those paying attention will know more about my writing than they ever wanted to…OR…I’ll have picked up some new readers and fans. That is the hope.
I this guy, see, who likes to tell stories. I can entertain you – if you let me. I can draw you in, if you step over the threshold. I’m here for you…readers of the world. Let’s party.
Up front, again, this is me talking. I’ve been doing this a long time. I currently run a successful publishing house. I interface with, follow, and pay attention to hundreds of writers daily. It’s just what I think…
I don’t care what people tell you about Social Media Marketing. I don’d care if perky, smiling, very friendly online folks tell you they can get you X,000 of followers, friends, compatriots, groupies, etc…that you should do events, online blitzes, or any number of other things sure to turn you into the next Internet sensation. Most of that is crap. I’d go as far as about 95 percent. Marketing, like anything else, is work – and many times it’s hit and miss.
Yes, you should have a Facebook Page, particularly if you have time to use it (Not your personal profile, but an author’s page where you talk about your books, writing, and things you believe would interest fans).
No, you should not have a new page for every book, or probably even every series. You have a set number of people who see your marketing posts on Facebook. You have another group (probably with some cross-over) on your personal profile. Most of them won’t mind if you talk about your new book. Most of them will mind if you endlessly post links to it with no new content. If you take the “social” out of social media it’s nothing but an irritating spam-screen of dreck, and it will be duly ignored.
No you should not create an online “event” every time you launch a new book. The only people who will see your event launch notice are the same people who would see a thoughtful post on the new book with a link if you just put it on your author’s page. The more events you have, the smaller the box of folks who will agree to be irritated by it. Marketing is already hated in most cases. Fans seek out the new work on their own. Marketing is for people who are not yet fans, and pissing either group off is not the way to build your presence.
The key to successful Internet marketing has a couple of words associated with it. REACH and DRAW. The biggest key to marketing anything is to widen your reach. A thousand “likes” on your posts on Facebook aren’t half the use to you that 200 shares are. Those people sharing have different boxes that they play in, and if they share your posts, a lot of people who have never heard of you might see them. For this you need DRAW. You need interesting content- not too long – with the proper one-click-to-buy link in it. It needs to look interesting enough to stop a scrolling mouse. It needs to look worth the few seconds that clicking it entail, and once the person has clicked, it needs to very efficiently sell them your book.
To recap. Poke holes in your box and work from the inside out. Do not pummel your ‘friends’ with endless marketing posts. Do not make tiny boxes within your bigger box. The same is true on Twitter. Using some app that draws in smaller groups to talk is a good way to focus on a topic, but it’s not a good way to market…the only people likely to use that app and take the time already want your book. That is “maintaining” your box. If you want it to be bigger, you have to find ways to reach new faces – real faces. Those perky smiley helpful people will not do this for you. Mostly they will get you thousands of other hopeful authors looking at your posts wondering why you don’t buy their books – and a lot of fake people who never existed stroking your ego as your numbers skyrocket. Marketing – like writing – is work. There are no shortcuts.
And of course, a steady stream of new work. Write. ALWAYS have something new to talk about. Never sit back and spend hours selling the one book you already wrote. Keeping your name relevant, your work consistent in quality and output…these help build what – eventually – will be your fandom. If you need it by tomorrow, you are probably out of luck.
Let me preface this by saying I’m not a guru. I’m an author with around 30 years experience in and around publishing. I own one of the fastest growing and closest-to-the-cutting-edge publishing houses going. I pay attention, and I have thoughts. I can back my thoughts up with observation, experience, and common sense…but take all that with a grain of salt. What worked yesterday might not today, what works today could shift tomorrow with the release of some new tool…
1. Visibility is the key. By this I do not mean visibility to other authors, to your circle of friends, but visibility to people who have never heard of you and who are actual potential buyers for books. The key to building a readership and expanding it into crazy numbers is finding your way out of all the little ponds that try to entice you in to “share and market” and cutting to the surface of the bigger pond. If your book can be made visible to a very large number of prospective buyers, sales will rise.
2. Marketing services that do not provide hard numbers on what their service has done in the past for actual sales of books are shaky at best, and likely to be avoided. If you are offered marketing that promises more “friends” – “followers” – stat-counter hits on your website, etc., but no evidence of sales, move on. It is now an industry unto itself, this building of inconsequential numbers – half of whom don’t even represent real people, and the other half of whom are others trying to get the same group to buy their book. Invest your time and money wisely when marketing.
3. One-click-to-buy. (You will see clever examples at the top and bottom of this post) This is crucial in today’s market, and particularly for eBooks. There are millions of eBooks out there, many by talented, successful, famous people. You have to win your sales from the same pool of buyers as all the rest. If your book appears anywhere that there are potential buyers, make sure you come as close to one-click-to-buy as is humanly possible. People will not remember and search you later, they will move on. Take them to a product page. If you hand out cards, flyers, take out print magazine ads – include a QR code they can scan with their phone camera and buy. Miss no opportunity for a cover image with a one-click-to-buy link.
4. Do not get caught up in the madness of “shrinking boxes”. Example. You have a personal Facebook account, and a second “Fan” page where you promote your writing. Each of these has a set number of “viewers” – your ‘friends,” and those who ‘like” your fan page. I won’t get into the questionable value of marketing again and again to your friends, but I will say this. The two pages are enough. If you create “events” or ‘groups’ or a new page for every new book you ‘launch’ with a special launch party, those are smaller boxes carved from the same people you are already marketing to. You can ride the shaky ship on your Fan page of paying FB to ‘promote’ it, but experience has shown that mostly this gets you onto pages that are not even real people, or onto the timelines of people who scream “why did you post your spam on my timeline!!!?” when it was actually FB who did it. Promote your books on a single fan page. Announce events there too. Don’t invite your boxes to be annoyed with you or carve their numbers down to smaller, and smaller groups. Announce and promote on your fan page and actively encourage those who see the posts to share them on THEIR timelines, which actually engages their Box of ‘friends’ and legitimizes the contact by becoming more credible. You want to grow the number of people seeing your links, not shrink it.
5. Cover art. It is important that the cover of your eBook look as slick and professional as possible. Never sacrifice cool for efficiency. The title, and your name, should be visible at the size of a postage stamp. Clever fonts, really busy art images, things that a small circle find cool and the rest of the world will be offended by – avoid. At all costs. You want people to see – know what it is – be attracted. Do not buy into the notion that putting a fancy new cover on your book will sell more copies of the book. If your book has no visibility, and you change your cover, but you do nothing to change the visibility – no one is going to see the new cover and it isn’t going to matter at all. It’s important to HAVE a good cover, but as marketing tool cover art is secondary at best.
6. PR Services or “experts” – see tip #2. Do not shovel money into the pockets of self-appointed gurus. If they have built a huge following on Social Media, ask them to give you a percentage of those contacts that are actually readers buying books. Ask for a percentage that is just other authors buying in and hoping for sales. Ask for proof that you at least have real potential, with their help, to sell enough books to cover the cost of their service. The waters are full of sharks, but they are also filled with leeches. In the old publishing model, most of the money went to the publisher, then a percentage went to the agent, and the smallest amount went to the author. In the new model, people are trying to divvy up that old publisher’s cut and leave authors frustrated, poor, and yet hopeful enough to buy into the next scheme. Pick and choose very wisely when determining how to market.
7. Not everyone is a marketer, charismatic, popular, a good editor, etc. Don’t let others, whose skillsets and resources are very different from your own tell you you have to do everything yourself. Writers should be writing. If you spend more time fretting over and trying to push your books than you do writing the next one, then you are in danger of not being a writer at all, but being swept up in the new sea of people who want desperately to be writers but have no time to create anything. Publishers like mine are out there – places where a lot of the burden can be shared – where things like formatting, cover art, etc. are not words to tear your hear out over…and where all your money doesn’t funnel into other people’s pockets.
8. If you publish first in print-particularly with a smaller publisher – and that publisher does not a: do their own eBooks – b: distribute those eBooks widely – c: offer you the lion’s share of the royalties on those eBooks, don’t let them have the rights. If they farm it out to yet another publisher, and then split that diminished return with you – also not a great idea. Not every publisher is experienced enough to do anything useful with your digital rights. It’s not the same game – don’t let the fact a publisher has been making pretty books for years fool you into thinking that means they automatically know how to handle your eBook, or that you should let them. Ask questions. Get a good royalty rate. Check your options. Chances are if you have the skills and resources, you can make more headway controlling your own eBooks. There are levels of distribution, levels of compensation – and levels of professionalism. Just be careful. I’m an author – I built my company to be one I wouldn’t mind working with. I hate all the same things you do. (Yep, that’s a small plug – sue me, my blog).
9. Don’t rush out to give your books away. Yes, there are huge success stories for people who have done this. There are programs, like Amazon’s KDP program, that when used correctly and with a little luck can spur real success. For every book given away that actually improves an author’s situation, there are 10,000 given away that don’t matter a hoot. The pyramid is always there. Famous or highly visible people giving something away will give more than the next tier. Moderately successful people giving something away can make a splash and occasionally even launch into that upper tier. A book from someone no one has ever heard of, not promoted ahead of time properly, won’t give away many copies – and of those it does, won’t help spur sales. The thing that makes free books work the BEST is quality. If you can give away 10,000 books – and the book is read by 2k of those and not forgotten, and it’s really good – and those 2k people mention this, or even 100 of them stop by to review it- you might have something. If it’s riddled with typos, dashed off and forgettable – it will be forgotten. Not everything that has worked for others is going to work for you – same goes for your books themselves. Copy-catting is never-even on the best day-going to give you anything but a shadow of the success of the person you are copy-catting. Write your best book, and if an opportunity to give copies of it away smartly presents – go for it. Don’t make this you marketing “rule” though, or even if you do get fans, they’ll wait for all the books to go free.
10. Write. You have to keep writing. You have to provide new things, and keep the words flowing. If you market the same book for a year, people are going to be so tired of it they will phase you out, and you’ll never even get them to look when you finally have something new. Write what matters to YOU – and not what you think you can make a quick buck off of because someone else did. Whoever that is – you aren’t them, and the situation that sold their book is not your situation. It’s a losing battle for a crown of mediocrity. If you have something to say – write. And read – buy books – keep your head in the game. Writing is both craft, and art. At the craft level it can make a living – at the art level it can make memories. I think you all know what is more important to you, personally – pursue it.
I hope – in some way – this has helped. If you made it to here – the first five who leave a comment will receive an Amazon.com gifted copy of my novel THE PARTING. I hope you win. I hope you read and like it. I hope you review it.
Find all 650 plus titles from Crossroad Press at http://store.crossroadpress.com or wherever eBooks are sold.
By David Niall WIlson
With a cameo appearance by Donovan DeChance of The DeChance Chronicles
I mentioned previously that I was going to revitalize my series, The DeChance Chronicles, in 2013. These are the amazing cover images that will help me do that, the first four courtesy of the uber-talented Mr. Bob Eggleton – and the last the creation of the sublime Ms. Lisa Snellings – that being for the as-yet unpublished tie-in novel to the series, NEVERMORE. All four books will see print this year, hardcover and trade paperback. Signed copies will be available through the Crossroad Press store – the books will be on sale everywhere (and hopefully in a lot of libraries) and this year the audio for Kali’s Tale will complete the audio set of the first four, and production will begin on Nevermore : A Tale of Love, Loss, and Edgar Allen Poe.
I saved, and I scrimped, and I got the covers I wanted… I am VERY grateful to the artists for working with me.
THE NEXT BIG THING
Last week Steven Savile tagged me on his blog as part on an ongoing chain of book/author recommendations called The Next Big Thing. Today I will take a crack at the ten questions originated by Paul Magrs, then send them on to five more authors to post answers to them in their various blogs – one week from today. I will be discussing the latest (and currently in progress) addition to The DeChance Chronicles :
1. What is the working title of your next book?
Nevermore – Book V of The DeChance Chronicles
2. Where did the idea come from for the book?
The series, obviously, has been in the works for a while. The idea for this particular story, however, comes from several sources, bits and pieces of things I’ve been wanting to work on but never got around to. I’ve been playing for a while with the notion that my protagonist, Donovan DeChance, has been alive for a long time, and has witnessed some things – from a very different perspective than the rest of the world – and might tell some of those stories.
While researching the fourth book in the series, Kali’s Tale, I found a couple of interesting sites about a roadhouse that rested on the border of North Carolina and Virginia back in the day. The laws of both states were different, as were the laws about things like dueling – if one party was on either side of the line.
One of the rumors about the roadhouse, which I call simply the Halfway House, was that Edgar Allen Poe stayed there, and that he wrote the first draft of his poem The Raven while in residence. Just one of many rumors surrounding that work, but I held onto it.
The sub-plot comes from a practice I share with my youngest daughter – picking out faces, animals, and images in things like trees, floor tiles, stones, bushes – clouds. I wrote a story a while back titled The Fruit of a Different Vine, involving a pole near our home that grows thick every year with vines until it resembles a woman pointing a gun into the woods over the top of a small home. In Nevermore, we meet Lenore, who is an artist. She sees those same types of things, and she draws them, paints them – and tries to set them free.
3. What genre does your book fall under?
That’s a good question. It’s dark fantasy, to be sure, with elements of horror and urban fantasy as well. This particular book also falls under historical fantasy, I suppose. Donovan DeChance is a magician, of a sort – a book collector bound on gathering the dangerous books and spells of the world, scanning them into a new computerized repository, and most importantly, sealing them away from the hands of those who would misuse them. You can read his origin story in the third book of the series, My Soul to Keep, which has him 16 years old in the mid-1800s.
There are vampires in these books, and dragons, rifts between worlds, werewolves – voodoo houngans and new-ageish crystal-toting witches.
4. What actors would you choose to play the part of your characters in a movie rendition?
This is a little hard for me. The perfect Donovan DeChance would be somewhat of a hybrid. He’s originally born of the old west, so I can see some Sam Elliott, but Sam is far too old – If you mixed in some Jason Momoa for the swagger and a bit of humor, and some Robert Downey Jr. for the culture it would be close. I’d love to hear thoughts on this from readers of the series. Donovan is a lot like Harry Dresden, except, Harry gets beaten up all the time, and seems more “rumpled”. Donovan wears long dark coats, has long hair in a day when it’s not really fashionable, but pulls it off.
Definitely Felicia Day for Amethyst, his love interest, who is adept at Earth and crystal magic.
For Poe? Someone tragic. In this story, both Poe and Lenore would be slightly older…Maybe Amanda Tapping for Lenore, and Grimm’s David Giuntoli as Poe? Is he too young to fall for Tapping?
5. What is the one-sentence synopsis of your book?
Donovan DeChances shares a memory from his past, dragging his companions into the world of Poe’s The Raven, and then bringing that world back to the present – and to the secrets of The Great Dismal Swamp.
6. Will your book be self-published or represented by an agency?
This is an odd question in that a: it only gives a small fraction of the possible answers, and b: I’m in a rather unique position. I am the founder of Crossroad Press –and since the creation of the company, all of my books have come out as Crossroad Press titles. In a sense, it is self-published, but Crossroad Press is a growing force in digital, print, and audio publishing. The only thing certain is – no agents will be involved.
7. How long did it take you to write a first draft of the manuscript?
I am writing it now, during Nanowrimo 2012. I suspect I will finish the full novel by the beginning of December…and I am scheduled to hit the 50,000 word mark (if I retain my rate of speed) around the 23rd of the month as things stand.
8. What other books would you compare this story to within your genre?
I’ve made the comparison before to my early work for White Wolf Publishing and their “World of Darkness”. I originally created Donovan because I wanted to try writing similar stories, but without the restrictions of their game, their world, and their creative vision. I also believe fans of The Dresden Files, Buffy the Vampire Slayer, Grimm, Angel, etc. will find this a perfect match. Heck, I even named the crow that hangs out with Poe … Grimm.
9. Who or what inspired you to write this book?
This seems like a very similar question to the one above asking where the idea for the book came from. I’ve been inspired to write since I was very young. I’ve got over 30 books out now, with more in the works – I can’t imagine NOT writing – so it’s not so much what inspired me to write this book – but what inspires me to write.
My family – the way they support my stories, put up with my endless “what ifs” and dig in to help any time I need it. My co-workers, who have been the first group I’ve worked with in all my days as a writer, with the exception of a few small groups on US Navy ships, who paid attention when I said I was a writer – read the books – and seem genuinely interested.
This book is partly inspired by fans. There are thousands of folks out there now who have dipped into the world of San Valencez, California, and Donovan DeChance. I don’t want to disappoint them, or let them down. The magic continues.
Final nod on this question to my son Bill Macomber. He went in just before midnight and bumped the poll I was conducing to choose which of three possible projects I’d complete this November to the DeChance win. I’m now going to make him read them all.
10. What else about the book might pique the reader’s interest?
I think the growing dynamics of how “magic” operates in Donovan’s world is fascinating. The idea that time is more of a static plane one can move across – even influencing events in odd, temporal glitches. The story of Poe, and Lenore should be of interest to many. I’d like to think I’ll do him justice, and that my tale will become part of the fictional canon surrounding his life and work. He’s been a huge inspiration in my own work.
One thing of note – this will be a print book as well as eBook and audio – and we hope to get all of the previous books into print as well, both hardcover and trade paperback. Heart of a Dragon is already available in trade paperback – we are expanding our print line significantly, and one thing we’d like to see is an attractive, hard cover set for collectors and fans.
I’ve started (finally) working on the next Donovan DeChance book. This story will follow directly on the tail of the events in Kali’s Tale – still a stand-alone story, and still something you could read without having read the others, though I realize that as time goes on…it’s less and less true that the full experience is there. It’s just not possible to rehash everything properly without detracting from the new story.
Those of you who have been reading along will remember we left Donovan and Amethyst in a bed and breakfast near Old Mill, North Carolina, as well as O.C.L.T. Team member Geoffrey Bullfinch. You’ll also remember that Donovan had decided not to return immediately to California, but to take a break, of sorts.
The whole crew is there, Cleo the oversized Egyptian Mau, Asmodeus the ancient Egyptian crow, and our heroes. In Kali’s Tale, Donovan referenced a place that once existed on the borderline of Virginia and North Carolina – the Halfway House – which was a bar / hotel that existed in both states at once.
People went there to get away with things that they could not on the other side of the border, marriages at a younger age were possible in NC, and the dueling laws were different. A lot of rough characters frequented the place, but a lot of famous “others” were known to stay as well. Among them?
Edgar Allen Poe.
One legend has Poe penning the first draft of THE RAVEN there, and so, I’m riffing on that…and Donovan is going to “tell a story” which will lead to questions – and a quest – taking them into ancient byways, through time and the Great Dismal Swamp, to what I hope will be a satisfying “could-have-been” piece with a twist of history.
If you want to catch up…
The DeChance Chronicles consist of Heart of a Dragon, Vintage Soul, My Soul to Keep (Which is the Donovan origin story) and Kali’s Tale. All are available in a multitude of digital formats (including digital audio for all but Kali’s Tale, and that’s on the way). Heart of a Dragon will be available as a trade paperback later this year.